(2003) Ash Global Goddess
As Aishwarya Rai becomes the first Indian actor to be a member of the Cannes Film Festival jury this month, the buzz about her in the West is reaching critical mass. The misstep on Bond notwithstanding, she already has an international film in the bag.
The angels obviously are on Aishwarya Rai’s side. Which is why, three weeks after she was rammed by a jeep into a cactus, Rai is zipping around her spacious sea-facing home in a wheelchair. Her ankle is fractured, her lower back has deep thorn pricks, her hands are scratched but her face is immaculate. Wearing a bright blue T-shirt and lungi, she is, as always, stunning. “The cactus was like a mother who took me in,” she says. “It was incredible. I experienced God.”
God, who seemingly has both taste and imagination, has other plans for her. Next week, Ash flies to the 56th Cannes Film Festival as a member of the feature films jury. It is the first time a Bollywood actor has received this honour. Cannes, the world’s most prestigious festival, will catapult her on to the international stage. Meanwhile, the buzz about her in the West is reaching critical mass. She already has one international project and her agents and managers are furiously marketing her in Hollywood as “something special”. Superstar Julia Roberts is rumoured to have called her “the world’s most beautiful woman” and Moulin Rouge director Baz Luhrmann remarked that he loved her in Devdas. Rai may or may not be the next Bond babe, but she is most likely to be Bollywood’s first crossover star.
Rai knows her way around the Croisette. She was at Cannes last year for the world premiere of Devdas and obviously made an impact. “She was the head turner,” says director Karan Johar who also attended the festival. “She came out in that mustard-yellow sari and all the Valentino gowns went unnoticed.” But being on the jury is an unprecedented honour. The nine-member jury, headed by French director Patrice Chereau, includes Oscar-winning director Steven Soderbergh and Hollywood actor Meg Ryan. The days will be packed with screenings-20 films from 13 countries have made the official selection. The nights will be a dizzy round of red-carpet events and high-glam parties where Ash will exchange pleasantries with the likes of Tom Cruise, Clint Eastwood and Keanu Reeves.
If that wasn’t enough, Rai will also be presented as the latest entrant to the L’Oreal Dream Team. The company, one of the official sponsors of the festival, recently selected her as an international ambassador. Only 11 women worldwide are part of this team-among them French legend Catherine Deneuve, Chinese superstar Gong Li and Hollywood actor Andie MacDowell. Ash is the second Indian after Diana Hayden to make the team. Though plans are still being firmed up, L’Oreal India Marketing Manager Sunita Bangard says there will be much “fanfare around her”. “For us, it is a double opportunity and we will make the most of it.” With 4,000 journalists in attendance, that shouldn’t be difficult.
2003 AND BEYOND
Since she began her film career in Iruvar in 1997, Aishwarya Rai has faltered, but ultimately proved the sceptics wrong. 1999 was her best year with two hits, but her peak was in Devdas last year.
At Cannes last year for the world premiere of Devdas, Rai made an impact. Being on the nine-member jury now is an unprecedented honour.The days will be packed with screenings, the nights will be a dizzy round of red-carpet events where she will meet the likes of Tom Cruise and Clint Eastwood.
Rai’s agents at William Morris and her manager Simone Sheffield are pushing her as a leading lady “in the league of Meg Ryan and Julia Roberts”.
They are looking only at A-grade movies where she will not necessarily be cast as an Indian.
Last October, Rai had a slew of meetings with the powers that be in Hollywood: Harvey Weinstein from Miramax, actor-producer Robert de Niro, director Spike Lee, leading talent agencies and several casting directors. There is, according to her manager, total interest.
WIDOW’S WEEDS: Rai stretches her talent in Chhoker Bali
In Rohan Sippy’s Rs 17-crore Kuch Na Kaho, she plays a dress designer who falls in love with a post-grad from the US played by Abhishek Bachchan.
In Kyun? Ho Gaya Na, a romantic comedy, Samir Karnik has her playing a Coorgi girl.
She is Binodhini, a widow who falls in love with her best friend’s husband, in Rituparno Ghosh’s Chhoker Bali.
And in Raj Kumar Santoshi’s testosterone-heavy cop saga Khakee, she plays Mahalaxmi, a key witness. Two older films with Sunil Shetty are pending release.
Rai’s agents at William Morris and her manager Simone Sheffield are also hoping to make the most of it. The global spotlight will help generate more heat but Hollywood is already biting. Aamir Khan, who is currently in Los Angeles, says that Ash’s name frequently comes up. “At least four people, including a guy from DreamWorks Studio, were talking about her. I can sense that they want to work with her.” Rai’s agents are pushing her as a leading lady “in the league of Meg Ryan and Julia Roberts”. “We are looking at only A-grade movies,” says Sheffield, who has managed the careers of stars like Jane Fonda and Lana Turner. Last October, Rai had a slew of meetings with the powers that be in Hollywood: Harvey Weinstein from Miramax, actor-producer Robert de Niro, director Spike Lee, leading talent agencies and several casting directors. They talked cinema, scripts, strategies, possible projects. “There is,” says Sheffield, “total interest.”
In Hollywood, like in Bollywood, Ash’s face is creating faith. She is a genetic masterpiece and her beauty transcends cultures and languages. Rai has a classical quality about her-Bengali director Rituparno Ghosh calls her a “miniature painting”. Unlike other Indian actors who have worked in the West-Om Puri and now, Naseeruddin Shah-Rai isn’t restricted to playing subcontinental characters. She can convincingly be Spanish, South American or Italian. “Her English is impeccable,” says London-based author Nasreen Munni Kabir, “and her beauty is global. She could be a big star here.”
For the past one month, the press has been speculating about whether stardom would arrive via a Bond movie. A Reading-based event and pr group, Imagio, which doesn’t officially represent Bond, simply proposed the idea, but it was enough to create global headlines. Actually, Rai’s first cinematic step into the international arena is director Gurinder Chadha’s Bride and Prejudice, the shooting for which starts in July.
The $18 million film, a reworking of Jane Austen’s classic novel, features Rai as Lalitha, a stubbornly intelligent girl, the Punjabi avatar of Elizabeth Bennett. Chadha, who won global recognition with her last hit, Bend It Like Beckham, is negotiating with New Zealand actor Martin Henderson to play the hero. The film, based in Punjab but shot in London, is the perfect bridge between two filmmaking cultures. “We live in a completely international world,” says Chadha, “so it is only natural that actors should explore different industries. It is a chance to be resuscitated as a performer.”
For Ash, going West is a savvy career move. At 29, she has already scaled the heights locally. She has the meatiest parts, a massive pay cheque (approximately Rs 1.5 crore per film) and a string of lucrative endorsements ranging from Coke to Nakshatra. This year, she also picked up the best actress award for Devdas at every single award ceremony, starting with the Screen Awards in January to the V. Shantaram Awards last week. She may not have the Madhuri Dixit-like muscle to push a bad film through-Trade Guide Editor Taran Adarsh points out that her home production Dil Ka Rishta took a dismal opening-or the innate talent of a Kajol. But with the right director and project, she sparkles.
Ash’s career highs are often mirrored by personal lows.
1994 Crowning Glory
Loses Miss India contest to Sushmita Sen, but wins the Miss Word title.
Breaks up with model Ranjeev Mulchandani.
1999 First Act
Long derided as an icy mannequin who couldn’t act, she wins a slew of awards for Hum Dil De Chuke Sanam.
The Wrong Man
Falls in love with co-star Salman Khan.
2002 Rough Ride
Devdas brings her praise. Shah Rukh drops her from Chalte Chalte after Salman creates a row on the sets.
After the break-up in 2001, Salman turns stalker, is involved in a road accident.
2003 India’s Pride
Becomes jury member at Cannes. Gets her first international project, Bride and Prejudice.
Salman allegedly threatens Oberoi. Rai says she will never work with Salman.
When she first started, the former Miss World was criticised for being plastic. Her banal Hindi film debut, Aur Pyar Ho Gaya, was followed by a string of uninspiring flops, in which her mannered acting prompted people to dismiss her as another Barbie doll model who couldn’t act. But in 1999, with Sanjay Leela Bhansali’s Hum Dil De Chuke Sanam, she silenced the legions of Ash-bashers with a finely nuanced performance. The film, which emphasised her Indian core-in the second half, she wore only saris-was a critical and commercial success. It was then, she says, that she became an actor. “I started to look at films as a whole and getting involved with every aspect of it.”
She still has the earnestness of a new student. She picks unusual projects and then works doggedly to hit the right notes. After the intoxicating grandness of Devdas, Rai chose to go minimalist in Ghosh’s rendition of a Tagore novel, Chhoker Bali, about the forbidden passions of a widow. “It’s a very demanding role,” says Ghosh, “but she took it up as a challenge.” For Tagore, she is also taking a massive pay-cut-the film’s budget is what she charges for a single film-and forsaking make-up. Says Ghosh: “She listened to me unquestioningly. The film is set in an age when women did not wear stitched blouses or petticoats. When I told her this, she was slightly taken aback but never challenged it. She immersed herself totally in the period Bengali milieu.”
The art house starkness of Ghosh’s film will be balanced by the more mainstream urbane comedies she is doing with two debutant directors, Rohan Sippy and Samir Karnik. She is also trying to fit two ambitious historicals into her schedule-Ketan Mehta’s 1857 and Roland Joffe’s The Invaders. The directors who work with her vouch for her professionalism. “I’ve completed 47 days of shooting,” says Karnik, “and have never had to wait for her. In fact, twice she came before I did on the sets. I was so embarrassed.” For Kuch Na Kaho, Sippy took over 20 takes of a scene in which she had to go down a curving 40-ft mudslide, but she was “game for it”.
BUZZ IN THE INDUSTRY
“Aishwarya is going to be successful in the global market. She is talented, good-looking and professional.” Aamir Khan, actor-producer
“Ash has got the whole thing out of her system and she is back at work with a vengeance.” Vivek Oberoi, actor
“She is truly the face of India. If there is any actor who can make a mark internationally, it is she.” Karan Johar, director
“Her choice of men sucks. All over-achievers feel they need to pick up a fallen man.” Prahlad Kakkar, adman
“She is really the most beautiful woman in the world.” Julia Roberts, Hollywood superstar
“I was at Cannes last year and I saw how people noticed her. She is capable of making it abroad.” Yash Chopra, filmmaker
The catch for Rai has always been her personal life. Last month, she was at the centre of a media maelstrom, with ex-boyfriend Salman Khan threatening to kill rumoured current boyfriend Vivek Oberoi, who promptly dispensed the news to hungry television crews. In the fury that followed, Ash also broke her characteristic silence with a press release that, among other things, said that she was at the receiving end of Salman’s “abuse (verbal, physical, emotional), infidelity and indignity”. Why, despite this, she chose to stay with him for two years remains an enduring mystery. Meanwhile, the Salman camp insists that she continues to incite the already imbalanced star by sending SMS messages and Oberoi maintains that “it’s a platonic relationship. She is my dear friend.”
Wherever the truth lies, this much is known: Rai’s tumultuous relationship with Salman cost her at least two projects. Shah Rukh Khan dropped her from his home production Chalte Chalte after Salman created havoc on the sets. She is also no longer Sanjay Leela Bhansali’s muse. The Devdas director was instrumental in her meteoric rise but his next film, the ambitious historical Bajirao Mastani, stars Salman and Kareena Kapoor. Obviously angry at Rai’s unwillingness to work with Salman, Bhansali refuses to comment on her. “I hope she succeeds,” is all he is willing to say.
Her love affair and its aftermath have been both public and messy. But apart from the two projects, it hasn’t impacted her career. A glossy Coke commercial with Oberoi and Rai was released just as the latest scandal broke, but the company says the informal feedback has been positive. “People love the plot,” says Coke’s Shripad Nadkarni, “and the youthful energy. We weren’t worried about it.”
The face that peddles big brands belongs to a savvy businesswoman who negotiates her own contracts
Aishwarya Rai started her career in modelling-her first commercial was for Prudent mouthwash with Jalal Agha-and she is still one of the most-in-demand faces in the business. Her face peddles soft drinks as effectively as diamonds. Says Coke’s Shripad Nadkarni: “She is easily the most popular actress today. Her celebrity status helps advertising break clutter.” So well that The Diamond Trading Company is creating a line of jewellery named after her: Ash’s choice.
But Rai doesn’t come cheap. Her annual income is at least Rs 12 crore-much of it comes from her endorsements. A savvy businesswoman, she negotiates her ad contracts herself. “I was never a businessman,” says photographer Farrokh Chothia, who has taken pictures of her since the early 1990s. “She taught me how to approach these things. Your talent brings profit to others so your piece of cake needs to be proportionate.” By all accounts, Rai’s piece is substantial; witness her latest endorsement as L’Oreal’s ambassador. Says L’Oreal India Marketing Manager Sunita Bangard: “L’Oreal means no compromise. Aishwarya stands for the same thing.”
FILMS: Rs 1.5 crore per film
ENDORSEMENTS: Rs 1.5-3 crore per endorsement per year
She earns an estimated Rs 9-10 crore per year for a month of work on various ads. She endorses Fuji, Nakshatra, Lux, Coca-Cola, Longines and now L’Oreal.
TELEVISED EVENTS: Rs 30-50 lakh per concert
SHOWS ABROAD: Rs 12-20 lakh per show
SAHARA: Honorary position on board of directors
What helps is Rai’s ability to hold her head above the mud-slinging. She says, “God has helped me to remain connected with myself. I’ve had ample opportunity to completely lose focus but I haven’t succumbed. I’m still discovering the woman in me and that’s good.” Even when Salman’s actions were extreme-on Sippy’s sets, he rammed a car into a tree at high speed-Rai kept a stoic silence. “It’s quite amazing how she can compartmentalise and focus,” says Sippy.
The focus has been in place since her modelling days. Ad maker Prahlad Kakkar, who brought her into the limelight with a Pepsi commercial, recalls that even at 21 she was “an extremely mature, sensible girl, except for her choice in men”.
A top student at the Rachna Academy of Architecture, Rai dropped out to contest beauty pageants. By then, she was already the most expensive model in the business, charging upwards of Rs 3 lakh for a campaign and Rs 10,000 for a fashion show. Obviously, the limelight was more seductive. “Her mother,” says Kakkar, “was wary of the film business, but I told her that given the right director, Rai could be the female version of Amitabh Bachchan.”
She is, as her director in Taal Subhash Ghai says, “an Indian soul in a western packaging”. So, at first, playing femme fatale was problematic. Kakkar says it took her 19 takes and tears to get the sexiness in Pepsi’s “Hi, I’m Sanju” just right. Despite her fashion industry background, she refuses to kiss on screen and is not given to too much exposure. “If you can’t define me,” she says laughing, “I’m happy.” Her family and friends go a long way in grounding her. She hardly has time to socialise any more but still keeps in touch with her friends from college.
FALL GIRL: Rai in Khakee with Akshay Kumar, Amitabh Bachchan and Tusshar Kapoor
Photographer Farrokh Chothia (she calls him Fruki), is also close to her. “Even though we don’t keep in touch regularly, she’s a buddy,” he says. Her mother Vrinda and brother Aditya have joined the business as writer and co-producer of Dil Ka Rishta, but they remain a close-knit Bunt family with middle-class values and strong community ties. At Cannes, Rai is likely to be the only international celebrity accompanied by a mother.
But mom won’t get in the way of glamour. For the moment, Rai is busy figuring out her footwear-her injury means that she will not be able to wear heels-and clothes with her favourite designer and long-time friend Neeta Lulla. Cannes is Glamour Central and Ash will have to stand out in a sea of sensational looking women, ranging from sultry Spaniard Penelope Cruz to the porno movie starlets who strut in skimpy clothes in the film market. Lulla says the accent for the 10-day wardrobe will be “desi”. “Don’t you worry,” says Rai, hopping around the room on one foot, “I’ll be striding there with all my Indian pride.” We believe her.
By Anupama Chopra